Very rare Heuer Carrera 2447NST. This is one of the most sought after 60s Carrera´s of the portfolio. The Valjoux 72 powered “inverted Panda” version with Tachymeter. This selected piece here is in absolute authentic condition from it´s unpolished case with clearly readable numbers over the dial and hands with original matching lume to crown, pushers and the “heuer leonidas” signed caseback and movement. It was checked through by our watchmaker and runs perfectly in all functions. This rare piece comes on a new black racing leatherstrap.
Tom Ford S/S 2019 Collection #NYFW
Berluti A/W 2018 Collection designed by Haider Ackermann
‘I like the idea of a quiet man. Serene, cool, collected, yet standing on his own two feet,’ - Haider Ackermann
Read more at https://www.wallpaper.com/fashion/fashionweeks/menswear-aw-2018/paris/berluti-aw-2018#y9TZ6MrztqUxdYCH.99
Organized in partnership with the National Gallery of Ireland in Dublin and the National Gallery of Art in Washington, the exhibition will present Vermeer’s great masterpieces and those of his contemporaries.
“The Sphinx of Delft”: coined by French journalist and art critic Théophile Thoré-Bürger when he revealed Vermeer to the world late in the 19th century, this famous expression has served mainly to promote an enigmatic image of the painter. The myth of the solitary genius has done the rest. Yet Johannes Vermeer (1632–1675) did not attain his level of creative mastery in isolation from the art of his time.
Through comparisons with the works of other artists of the Golden Age—among them Gerrit Dou, Gerard ter Borch, Jan Steen, Pieter de Hooch, Gabriel Metsu, Caspar Netscher, and Frans van Mieris—the exhibition brings to light Vermeer’s membership of a network of painters specializing in the depiction of everyday life while admiring, inspiring, and vying with each other. Although they were painting in different cities of the Republic of the Seven United Netherlands, their pictures show marked similarities of style, subject, composition, and technique. This dynamic rivalry played its part in the remarkable quality of their respective works; in this context we might be tempted to think of Vermeer as just one painter among others, but in point of fact this reciprocal contact tended to render his temperament sharper and more individual. Rather than a stylistic innovator, he emerges as an agent of metamorphosis.
1950
Ferrari 275S/340 America Barchetta By Scaglietti
Le Louvre without the visitors
Exhibition Dates:April 24–July 30, 2017
Exhibition Location:
The Met Fifth Avenue, Gallery 199
The Metropolitan Museum of Art will present a major retrospective of the photographs of Irving Penn to mark the centennial of the artist’s birth. Over the course of his nearly 70-year career, Irving Penn (1917–2009) mastered a pared-down aesthetic of studio photography that is distinguished for its meticulous attention to composition, nuance, detail, and printmaking. Irving Penn: Centennial, opening April 24, 2017, will be the most comprehensive exhibition of the great American photographer’s work to date and will include both masterpieces and hitherto unknown prints from all his major series.The exhibition will most thoroughly explore the following series: street signs, including examples of early work in New York, the American South, and Mexico; fashion and style, with many classic photographs of Lisa Fonssagrives-Penn, the former dancer who became the first supermodel as well as the artist’s wife; portraits of indigenous people in Cuzco, Peru; theSmall Trades portraits of urban laborers; portraits of beloved cultural figures from Truman Capote, Joe Louis, Picasso, and Colette to Alvin Ailey, Ingmar Bergman, and Joan Didion; the infamous cigarette still lifes; portraits of the fabulously dressed citizens of Dahomey (Benin), New Guinea, and Morocco; the late “Morandi” still lifes; voluptuous nudes; and glorious color studies of flowers.
Photos: Antoine Verglas (photographed for Planet V&S)
Marc Levy is one of France’s – and the world’s – favourite writers. His prolific output is proof that he is also a worker bee. For him, writing is an art and a craft. His artistry and hard work pay off, too: every book Levy has written has hit the bestseller lists in France. Levy’s novels’ global popularity speaks to the timeless – and boundary-less– human themes found in his books. His stories tell of love, loss, heartbreak, adventures, new beginnings and the ever-changing landscape of human emotions. Many of his works have been adapted for film and television as well. His first novel, Et si c’était vrai… (If Only It Were True) became the 2005 hit, Just Like Heaven, starring Reese Witherspoon and Mark Ruffalo.
It’s said that there are no new stories, and that everything has been done before. And that may be so, but the lens through which Levy views the world – a lens composed partly of French culture, his work at the Red Cross, and his foundation of family and friends – is uniquely his own. No one tells a Marc Levy story like Marc Levy.
Born in Boulogne-Billancourt, Levy now lives in New York City with his family. I was fortunate enough to speak with him in February, right after he returned from a visit home to France. Communicating with him, another quality shone through: in addition to his artistic sense and commendable work ethic, he also possesses a great kindness, reliability, and a level of down-to-earth humility. One often hopes that great people will still be great to you after you meet them (upending the ‘never meet your heroes’ adage), and I’m happy to report that Levy delivered.
France Today: How do you come up with the ideas for your novels?
Marc Levy: They come from everyday life and life has more imagination than I do. I like to watch and listen, I like to observe the world around me. The smallest thing can spark an idea. But an idea alone is not yet a story and might never become one. I live with the characters around with me for a long time, whilst their personalities develop and the plot takes shape. When I’ve finished my research, when I can answer the question, ‘What is this story really trying to say?’ – that’s when I’m ready to embark on a journey.
FT: Of all of the books you’ve written, which is your favourite – and why?
ML: I don’t believe I have a favourite one, they’re all different. With each book I’ve made a concerted effort to never limit myself to one genre and to never tell the same story twice. I really enjoy starting each book with a complete sense of beginning anew – be it for a comedy, thriller, saga, or an adventure novel. That’s the magic of my job, travelling into different continents of words. Each book is for me a way to explore new horizons – and there are still many lands I have yet to discover… Each novel is an opportunity to encounter new characters who, by the end, will be friends.
FT: Why do you think your books have been so popular internationally, as well as in France?
ML: I have no idea, and I don’t want to know. I’m not interested enough in myself. Let’s say that I never thought I’d be successful. I have had tremendous luck but also, I’ve worked a lot to deserve it. Because there is no miracle recipe and every book represents thousands of hours of work. I can promise that, before one of my books is published, I never know whether it’s going to find an audience. I work a lot and am never sure of how it will play out. Writing is a craft. Through my stories and characters, I try to convey values that have been passed on to me. Many people share these values, but they don’t always come up in everyday life.
FT: If you had to generalise, do you think there are certain characteristics that French writers have (due to their cultural outlook or education) that writers of other nationalities may not have to the same degree?
ML: I don’t think so. I don’t believe in boundaries, even less in literature. While some people want to build walls, writers draw horizons. Where short-sighted politicians wants to divide humans because of their colour, faith or nationality – fearing difference – writers embrace the world’s diversity. Also, to answer this question definitively would require a perfect knowledge of every culture and every book published…
FT: What do you miss most about France, now that you live in New York City?
ML: My friends and family. Otherwise I don’t feel really estranged from France. Every morning I read the news and keep myself informed on politics and cultural life.
FT: What is your favourite place in France?
ML: A French bistro!
FT: Are you working on another book right now, and if so, can you share any details about it?
ML: In France, my novel La Dernière des Stanfield was published on April 20, and another book, P.S. from Paris, will be published in the United States in early August.
FT: You’ve said “I’m always missing them when I’m finished writing” of the characters you’ve created. Which particular characters do you most miss writing about, and why?
ML: I wrote a sequel of If Only It Were True because I missed the main characters, Lauren and Arthur. And in a way I miss Ethan Daldry, because he’s the character I felt the closest to. I can easily imagine him as a friend.
FT: What were some of your favourite books when you were a child?
ML: Jules Verne’s novels.
FT: How do you think that your work at the Red Cross impacted your writing or outlook?
ML: I could never repay the Red Cross for all that it gave me as a young man. I hear those who say that today’s world is individualistic, and it’s true that society doesn’t reach out to you first, but this doesn’t stop you from reaching out to others. When I joined the Red Cross at 18 I was immediately given a place in society.
FT: Does the current global political climate have any impact on your writing? And as a Frenchman living in the U.S., what do you think of the recent changes and developments in the U.S. government?
ML: I am a guest in the U.S., it’s not my role to comment on the government. But as a citizen of the world, I disagreed with the motto ‘Make America Great Again’, because it would take a very spoiled adult to think that America wasn’t already great. Traveling around the world, you will certainly see how great America has been for a long time. Also, I am wondering if spending 21 billion dollars on health care, cancer research, education, building hospitals, schools, and raising the payroll of teachers wouldn’t make America even greater than using it to build a wall. But that’s just a suggestion.
FT: What would you be doing today if you weren’t busy being a successful writer?
ML: When I was young I dreamt of becoming of doctor, but I wasn’t good enough at math. And I have to confess that I haven’t improved in that field. I love cooking for my friends, but that doesn’t make a chef of me. Writing is my passion, so let’s hope I won’t have to ask myself your question in the near future.
FT: Can you tell us what your favourite part of the writing process is?
ML: Every part: researching, building the plot, developing my characters, spending time with them… My least favourite part though would be when my novel is being published, as I get really nervous.
FT: And finally, what advice would you give to aspiring writers?
ML: Never think of publication, write for the freedom it provides you with.
From France Today magazine